Bringing it to Reality

june, 2019

01jun5:00 pm30(jun 30)4:00 pmBringing it to RealityAn exhibition of still Life by Clifton Hunt5:00 pm - 4:00 pm (30) Gallery 3Event Type :Exhibition

Event Details

Bringing it to Reality
An exhibition of still Life by Clifton Hunt

Opening Reception: Saturday, June 1, 5-8 pm
Gallery Hours: Saturdays & Sundays, 1-4 pm
Closing Reception: Sunday, June 30, 1-4 pm

Time

1 (Saturday) 5:00 pm - 30 (Sunday) 4:00 pm

Location

Gallery 3

38 Harlow Street

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Upcoming Events
march 2020
Today and Tomorrow Gallery 1 38 Harlow Street, Worcester, MA

07mar(mar 7)5:00 pm08(mar 8)4:00 pmToday and TomorrowWorcester Public Schools Visual Art Teachers5:00 pm - 4:00 pm (8) Gallery 1Event Type :Exhibition

Event Details
Today and Tomorrow: Worcester Public Schools Visual Art Teachers Gallery 1 Opening Reception: Saturday March 7, 5-8 pm Closing Reception: Sunday March 8, 1-4 pm Participating Artists: Benjamin Adwetewa-Badu Keri Anderson Hagop Aprahamian Laurie Atchue Jay Benotti Victoria Caezza Deanna Degon Joe

Event Details

Today and Tomorrow: Worcester Public Schools Visual Art Teachers

Gallery 1

Opening Reception: Saturday March 7, 5-8 pm
Closing Reception: Sunday March 8, 1-4 pm

Participating Artists:

Benjamin Adwetewa-Badu
Keri Anderson
Hagop Aprahamian
Laurie Atchue
Jay Benotti
Victoria Caezza
Deanna Degon
Joe DiGregorio
Margaret Donahue
Kate Egnaczak
Margaret Fitzgerald
Tina Glodis
Jason Harthan
Kallie Hunter
Tobias Irving
Ryan Jarvis
Courtney Johnson
Susan Kellogg
Darya Kuruna
Timmary Leary
Juli Leighton
Sharon Mansfield
Kerry McCormack
Callie Mulcahy
Erica Murphy
Christine Murphy-Cross
Amie Nemes
Tithya Puch
Ann Rokosky
Megan Shea
Brynnalee Blackmar
Jamie Sullivan
Fran Warner

Please join us for the opening of “Today and Tomorrow” on View for one weekend only. Enjoy an eclectic selection of works in various media from 33 artists-educators of the Worcester Public Schools.

Time

7 (Saturday) 5:00 pm - 8 (Sunday) 4:00 pm

Location
Gallery 1
38 Harlow Street, Worcester, MA

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Dual Nature Gallery 2 38 Harlow Street, Worcester, MA

07mar(mar 7)5:00 pm29(mar 29)4:00 pmDual Natureacross mediums - encaustic plus one5:00 pm - 4:00 pm (29) Gallery 2Event Type :Exhibition

Event Details
DUAL NATURE: across mediums - encaustic plus one Opening Reception: Saturday March 7, 5-8 pm Gallery Hours: Saturdays and Sundays, 1-4 pm Closing Reception: Sunday March 29, 1-4 pm Participating

Event Details

DUAL NATURE: across mediums – encaustic plus one

Opening Reception: Saturday March 7, 5-8 pm
Gallery Hours: Saturdays and Sundays, 1-4 pm
Closing Reception: Sunday March 29, 1-4 pm

Participating Artists:

Linda Bigness – Abstract Narratives in oil and encaustic paintings and constructions

Joanne Holtje – Abstract oil paintings and their encaustic interpretations

Doreen LaScola – Relating oil paintings to encaustic through abstract realism

Linda Widstrand – Interpreting nature using shared techniques in encaustic and oil

Neil Wilkins – Acrylic and encaustic mixed media works from the Involutions series

Five artists with very different visual sensibilities have banded together to create “DUAL NATURE – across mediums – encaustic plus one”.

Linda Bigness, Joanne Holtje, Doreen LaScola, Linda Widstrand and Neil Wilkins have embraced the challenge of creating encaustic art works that communicate with art pieces created in other paint mediums.

Free to interpret the challenge in any way they chose, each artist contributes to an exhibit that is both diverse and complimentary. It is bound primarily by the challenge itself.

The artists will be available at their opening reception at the Sprinkler Factory, 38 Harlow Street, Worcester, MA on Saturday March 7, 5-8 pm to discuss their individual methods, discoveries and challenges. The exhibit will also be open to the public during the month of March. Regular gallery hours are on Saturdays and Sundays 1-4 pm.

Time

7 (Saturday) 5:00 pm - 29 (Sunday) 4:00 pm

Location
Gallery 2
38 Harlow Street, Worcester, MA

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Sum Girls - Crushes Gallery 3 38 Harlow Street

07mar(mar 7)5:00 pm29(mar 29)4:00 pmSum Girls - Crushes12x12's by Don Hartmann5:00 pm - 4:00 pm (29) Gallery 3Event Type :Exhibition

Event Details
Sum Girls - Crushes 12x12's by Don Hartmann Gallery 3.5 Opening Reception: Saturday March 7, 5-8 pm Gallery Hours: Saturdays and Sundays, 1-4 pm Closing Reception: Sunday March 29, 1-4 pm

Event Details

Sum Girls – Crushes 12×12’s by Don Hartmann

Gallery 3.5

Opening Reception: Saturday March 7, 5-8 pm
Gallery Hours: Saturdays and Sundays, 1-4 pm
Closing Reception: Sunday March 29, 1-4 pm

Time

7 (Saturday) 5:00 pm - 29 (Sunday) 4:00 pm

Location
Gallery 3
38 Harlow Street

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Jumping the Shark Gallery 3 38 Harlow Street

07mar(mar 7)5:00 pm29(mar 29)4:00 pmJumping the SharkNew Work by Peter S Wise5:00 pm - 4:00 pm (29) Gallery 3Event Type :Exhibition

Event Details
Jumping the Shark - New work by Peter S Wise Adventures in entropy and other dark matters Gallery 3 Opening Reception: Saturday March 7, 5-8 pm Gallery Hours: Saturdays and Sundays, 1-4 pm Closing Reception:

Event Details

Jumping the Shark – New work by Peter S Wise
Adventures in entropy and other dark matters

Gallery 3

Opening Reception: Saturday March 7, 5-8 pm
Gallery Hours: Saturdays and Sundays, 1-4 pm
Closing Reception: Sunday March 29, 1-4 pm

JUMPING THE SHARK:
PHOTOMONTAGES AND PAINTINGS
BY PETER S. WISE

Some but not all of the works presented here are connected to the theme of “Jumping the Shark.” Hopefully, the viewer will make his or her own determination as to which are and which aren’t. The phrase itself has jumped the shark and become a parody of itself, originally coined to depict the later seasons of the sitcom,”Happy Days” as over the hill, tired, lacking surprise and so on. However, the phrase has stuck with me and many of the images reflect an expanded and readily understandable view of the inevitable deterioration of matter, cultures, relationships, beliefs, logic and really everything else in the known universe. The physical basis for jumping the shark is the second law of thermodynamics, or simply that in the absence of absorbing energy, all things tend to entropy. It’s pretty easy for us to understand but rather more difficult to accept, especially when personally applied to our bodies (aging and eventual death)and mental state (dementia and Alzheimer’s disease being common examples.) But we are not alone and this work seeks to universalize the drift towards entropy of all things and ideas, and not without humor.

Scientists discuss whether our known universe has reached a point when its expansion will end and start contracting to the point it was at 14 billion years ago. Historians debate whether civilizations conform to an inescapable pattern of the proverbial rise and fall paradigm. Marxism declares capitalism is doomed to failure as it careens from one financial crisis to the next and economic inequalities increase. These are all examples of jumping the shark and we can look to less cosmic examples as well – the breakdown of logic in human dreams, the stresses endured by the Donner party in the 1840s that led to cannibalism, or oppositely the chaotic humor of Benny Hill. So, these images may be a celebration of universal law or a lamentation but they do attempt to encourage acceptance of immutable phenomena in which we as human beings have no choice but to comply.

The title piece, “Jumping the Shark,” is based on a Bill Brandt photograph from the early 60s taken in London on the Embankment where one finds the Tate Gallery. Obviously the added shark fin and Dalek from, the British sci-fi series “Dr. Who,” is of my own doing and can be read as a comment on pop culture and its exhaustion or any other way a viewer wants to read it. The practice of enhancing original work like Brandt’s is a hallmark of postmodernism, which in itself declares originality is dead and yes, has jumped the shark. The image itself is self-referential and a closed circuit so to speak wherein movement, the decisive characteristic of life at at least a molecular level, is an endless loop – in other words, dead. I find this humorous to the extent that Karl Marx called history the first time around, “tragic” but the second time around “farce.” I hope people seeing these can maintain some sense of levity as they really are, at one level, just representations of the human condition.

The oil paintings here are not intentionally connected to the themes of the photomontages. Truthfully, I include them because they are a departure from non-traditional means of visual expression and I hope, that conventional painting has a much longer cultural shelf life than the disposable photomontages they accompany. While the montages tend to irony, my paintings of people I like are not ironic in any way to my way of thinking and hopefully balance the former.

Time

7 (Saturday) 5:00 pm - 29 (Sunday) 4:00 pm

Location
Gallery 3
38 Harlow Street

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april 2020
Personal Vision

04apr(apr 4)5:00 pm26(apr 26)4:00 pmPersonal Vision5:00 pm - 4:00 pm (26) Gallery 1 & 2Event Type :Exhibition

Event Details
Personal Vision: Gallery 1 & 2 Opening Reception: Saturday April 4, 5-8 pm Gallery Hours: Saturdays and Sundays, 1-4 pm Closing Reception: Sunday April 26, 1-4 pm Participating Artists: Judy Billman Jack Casey Stephen Cioffari Norm Eggert Phil Grzyb Sherry Horeanopoulos Stewart

Event Details

Personal Vision:

Gallery 1 & 2

Opening Reception: Saturday April 4, 5-8 pm
Gallery Hours: Saturdays and Sundays, 1-4 pm
Closing Reception: Sunday April 26, 1-4 pm

Participating Artists:

Judy Billman
Jack Casey
Stephen Cioffari
Norm Eggert
Phil Grzyb
Sherry Horeanopoulos
Stewart Simberg
Robert Steffen
Corinne Walker
Roma Wilk
James Hunt
Paul Goodwin
Anne Greene
Anne Hendrickson
Karen Clickner
Rich Lapping
Dorothy Magadieu
Doris O’Keefe
Sue Sedgwick
Joanne Shapiro

Time

4 (Saturday) 5:00 pm - 26 (Sunday) 4:00 pm

Location
Gallery 1 & 2

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Ron Rosenstock Gallery 3 38 Harlow Street

04apr(apr 4)5:00 pm26(apr 26)4:00 pmRon RosenstockIreland: Vintage Silver Prints, 1971-20015:00 pm - 4:00 pm (26) Gallery 3Event Type :Exhibition

Event Details
Ron Rosenstock - Ireland: Vintage Silver Prints, 1971-2001 Gallery 3 Opening Reception: Saturday April 4, 5-8 pm Gallery Hours: Saturdays and Sundays, 1-4 pm Closing Reception: Sunday April 26, 1-4 pm

Event Details

Ron Rosenstock – Ireland: Vintage Silver Prints, 1971-2001

Gallery 3

Opening Reception: Saturday April 4, 5-8 pm
Gallery Hours: Saturdays and Sundays, 1-4 pm
Closing Reception: Sunday April 26, 1-4 pm

Time

4 (Saturday) 5:00 pm - 26 (Sunday) 4:00 pm

Location
Gallery 3
38 Harlow Street

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may 2020
Solos

02may(may 2)6:00 pm24(may 24)4:00 pmSolosartists on a mission6:00 pm - 4:00 pm (24) Gallery 1 & 2Event Type :Exhibition

Event Details
SOLOS: artists on a mission Gallery 1

Event Details

SOLOS: artists on a mission

Gallery 1 & 2

Opening Reception: Saturday May 2, 6-9 pm

Gallery Hours: Saturdays and Sundays, 1-4 pm

Closing Reception: Sunday May 24, 1-4 pm

Participating Artists: TBA

‘SOLOS: artists on a mission’ is a collection of “solo” exhibits under one roof at one time. Each solo show will have its own title, its own collection of works, its own mission and its own distinct discipline.

Time

2 (Saturday) 6:00 pm - 24 (Sunday) 4:00 pm

Location
Gallery 1 & 2

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june 2020
Light Shots 2020 Gallery 1, 2 & 3 38 Harlow Street

06jun7:00 pm10:00 pmLight Shots 2020A Survey exhibition by Raphaele Shirley7:00 pm - 10:00 pm Gallery 1, 2 & 3Event Type :Exhibition

Event Details
Light Shots 2020 - A Survey exhibition by Raphaele Shirley Gallery 1, 2 & 3 Opening Reception: Saturday June 6, 7-10 pm Spanning over 10 years of production this exhibition features prominent artworks

Event Details

Light Shots 2020 – A Survey exhibition by Raphaele Shirley

Gallery 1, 2 & 3

Opening Reception: Saturday June 6, 7-10 pm

Spanning over 10 years of production this exhibition features prominent artworks by this versatile and prolific artist. Versed in a variety of mediums ranging from sculpture, installations and painting to performance and video, Shirley will fill the Sprinkler Factory’s 3 galleries with the full breath of her production. Light sculptures large and small will animate Gallery 1 forming a meditative and awe inspiring entrance. In the rear galleries we will be able to explore further her site-specific installations. Special performances and presentations of her collaborative projects with Shirish Korde, Karen Gottschang and Algis Kizys will be presented during the length of the exhibition.

About the artist:

Raphaele Shirley (born 1969) is a french/american visual artist working in NYC. Shirley’ employs in her work diverse mediums such as LED, laser, neon, watermist, sound, and occasional pyrotechnics, as well as more traditional materials such as wood, metal and paint. She creates sculptures and site-specific environments which play on the tension between ephemerality and permanence. Shirley explores in her work the power of direct communication of materials as the carriers of meaning, in keeping with a minimalist language developed from the 60’ onwards. Shirley specializes in outdoor installations working with raw industrial spaces, natural environments and public parks. She collaborates regularly with composers/musicians such as Shirish Korde, Algis Kizys, David Watson, Laura Ortman and Rhys Chatham to further her installations with sound compositions and live performances.

Shirley’s solo exhibitions include: 12.6 Lyrae, The Chimney, New York (2016) 0910 Light Shots, Chelsea Art Museum, New York (2010); Arctic Lights, Dorfman Projects, New York (2010); Jewels of Kvinesdal, Kvinesdal, Norway (2009); Sunken City, Marc de Puechredon Gallery, Basel, Switzerland (2008); Sunken City Episode II, Emily Harvey Foundation, New York, NY (2008); Video Art in the Age of the Internet, Chelsea Art Museum (2007).

Shirley’s work has been featured in group exhibitions including: KAI art center opening performance, Tallinn, Estonia (2019), Chance Ecologies, Queens Museum (2016); Free City, Flint Public Art Project, Flint, Michigan (2017/2013); The Luminous Surface, Salisbury University, Maryland, USA (2015); Magnetic North: Artists of the Arctic Circle, UBS Art Gallery, New York, NY (2014); Sandnes 2160, Museum of Moving Image, Queens, NY (2013); [PAM] Cyland Festival, Hermitage Museum, St. Petersburg, Russia (2009); Drift , National Center for Contemporary Art, Moscow, Russia (2008); New York; Video As Urban Condition, Museum of Modern Art Linz, Linz, Austria (2007).

Selected fairs and biennials include: Context New York (2018/2017); Featured Project /Scope, New York and Miami (2005-2009); Docks Art fair/ Lyon (2009); The Dark Fair/Swiss Institute (2008); Mykonos Biennale

Time

(Saturday) 7:00 pm - 10:00 pm

Location
Gallery 1, 2 & 3
38 Harlow Street

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